“We've only heard it once, but Radiohead's The King of Limbs
hardly sounds like a band breaking new ground.” – The Guardian
“There has to be more” –Twitter User
“It’s no Kid A or OK Computer” – Anonymous
I don’t care what you think about “The King Of Limbs”.
It’s fine if you want to tweet your opinion or do a super
early review of the record, I just want you to know that I don’t care…and you
shouldn’t either. This is one of
those records where the event of the release is currently bigger than the music. It’s impossible to even focus on the
eight tracks with everyone rushing to get their thoughts into presentable form
first or come up with the best overdub to the “Lotus Flower” video. In this “review” of “The King Of
Limbs”, I only want to talk about what I know now and address a few things
about how the release is being handled by fans/critics. This is one of the rare times where I’m
glad WLFY moved away from the numerical review system, because I don’t know
what number to give this record, and I’m fine with that. I can only let you know how I feel now
and anyone who is speaking to you in what seems to be full-formed opinions
about “The King Of Limbs” should be ignored. I’ve done reviews the same week I’ve listened to an album,
but there is so much context and excitement surrounding Radiohead’s new release
that time is a very crucial tool in determining the worth of “The King Of
Limbs”
So, what do I know?
It sounds simple, but “The King Of Limbs” sounds like a Radiohead
record. Big deal right? Actually, it’s very important. It’s hard to name more than five bands
that started in the early 90’s, like Radiohead, and continue to make solid
music that’s worthy of their original praise. It’s a rarity for a band with success after success over
such a long period of time to stay both original and true to why fans fell in
love with them in the first place.
Mix that with every future release being compared to two of the greatest
records of the last several decades (OK Computer/Kid A) and you have the perfect
storm for disaster. Despite it
all, Radiohead continued to push forward with “Amnesiac”, “Hail To The Theif”,
“In Rainbows”, and now with “The King Of Limbs”. Love or hate these albums, you can’t deny that they are all
unique to Radiohead and never once made a record that seemed like a betrayal to
their sound/vision as a band. So,
while the idea that “The King Of Limbs” sounding like a Radiohead record as a
huge compliment might sound pedestrian, scroll through any great band’s
discography and the inconsistency of quality content, breaking up, reuniting,
changing genres, reformation, etc makes this feat a very important achievement
for an album released eighteen years after the debut LP.
To quickly address the people crying: “hope the rumors of
more music are true” or “there has to be more…I waited four years for this?”…go
fuck yourself. These cries all
occurred within days of the release and highlights what I hate the most about
the current music scene. There is
so much music out there that we as listeners are becoming conditioned to
consume, judge, and throw the scraps aside, half digested. How are you already complaining for
more tracks when there hasn’t been enough time to take in the eight given? For those who say that the 37.4 minutes
is way too short I have two responses.
First, some of the greatest records of all time are even shorter. My personal favorite is Nick Drake’s
“Pink Moon” which clocks in at 28.22.
Secondly, the record doesn’t feel quick, rushed, or unsatisfying (in
terms of length). In the first
days of playing this record I’ve continually found myself lost in time. Tracks like “Give Up The Ghost” and
“Bloom” feel different (concerning length/time) with each play. Sometimes they feel like the listed
running time and with other plays it can feel like an hour in those four to
five minute tracks. If you’re
really that upset about the length, remember “In Rainbows” was a whole five
minutes longer.
“The King Of Limbs” is an album and I don’t think people are
used to “album albums” anymore. If
you flipped track after track with each thirty seconds to find a hit or
something quick to bring you in, well, you’re out of luck and doing it
wrong. Love or hate “The King Of
Limbs”, the ending of each of the eight tracks spends a few seconds (sometimes
more) setting up a bridge to the next.
The album has an emotional arc both melodically and lyrically that spans
throughout. This is not simply a
collection of songs written while touring and then thrown together because it’s
time for a new record. Tons of
records today feel like a bunch of songs with no connection that surround a few
hits and when there are enough of them…well, it’s an album. Before you click the comment box to
talk about how some of these tracks have been floating around for a long time,
let me finish. I’m not saying that
“The King Of Limbs” was created in a room in one thoughtful meeting. What I AM saying is that this album was
constructed around a singular vision of what the album should ultimately become
and you can hear it in every moment of “The King Of Limbs”. There isn’t a single moment that feels
different than the world of sound set up in the first track. If you find the album boring or too
reliant on loops, you still have to agree that the things you don’t like string
throughout creating a single piece.
If you love this record than I bet the qualities that make you swoon run
throughout as well. Either side of
the judgment table, the idea that this is an “albums album” remains true.
So…we know it sounds like Radiohead, length complaints are
ridiculous, and it’s an album’s album.
Fuck you WLFY, thanks for nothing, can I have my ten minutes back? Nope…they’re mine forever. This may sound obvious or simple, but
these points are the immediate pitfalls that a band of Radiohead’s stature has
to avoid. They successfully
navigated the early obstacles and now time will tell how “King Of Limbs” stands
with the rest of their powerful discography. When I feel ready I will review this record, but I for one
think that Radiohead over the eighteen years and eight full-length albums have
earned a level of respect that listeners and critics are generally
ignoring. This is not some new
buzz band that needs press this instant or they will go away. It’s all about the fact that everything
has to be immediate in today’s Internet culture. While we have become conditioned to manufacture opinion
quicker than reason, it’s just not fair to a band that has done everything to
earn our musical trust. As I said
before, I don’t care what anyone is saying about this record at this specific
point in time. I’m concerned with
listening to the record and letting it all sink in. The hype dust kicked up from the event surrounding the
release will clear and all that will be left is the album itself. At that time, with clear eyes, I will
begin to read reviews and gain knowledge/perspective from other critics/bloggers/music
fans. Until that time, I’m
perfectly satisfied enjoying what we have, eight tracks of new Radiohead
material.
I agree with a lot of your points about the time that's needed for a review, but it's interesting that you see this as a cohesive 'album album'. Frankly, it feels like a Radiohead B-side collection to me; some solid tracks, some less solid (but still decent) tracks, but it feels a bit like a compilation.
ReplyDeleteOn most of their previous albums there's been an accessible track that's jumped out to me upon my first or second listen through; this one hasn't had that but I'm not going to disregard the album because of that.
I think a "review" like this is why I hope you keep blogging.
ReplyDeleteI can't wait to listen to it. Isn't the "Lotus Flower" video mesmerizing?
ReplyDeleteI loved listening to The King of Limbs from the first day and I'm all shaken up by this beautiful work.
ReplyDeleteDid somebody just say it was like a b - side collection. Well Good! I love their b - side records and EPs so there! Feral got me looking for older glitchy stuff...Kinetic. They've piled in all sorts of influences. I think i hear Clinic in little by little - the dark but humorous song, and the way Thom Yorke uses his voice. and Massive Attack's Angel seems echoed in Lotus Flower's intro. But its Radiohead and they've done it again -for me anyway.
I know I'm late... but the one thing that bothers me about The King of Limbs is that I DON'T think it sounds like Radiohead. It sounds like Thom York. I'd be able to digest this a lot better if this was titled "The Eraser Part II" but to release this under the band's name gets me kind of really angry. Where's Jonny?! Where's Colin?! Where's Radiohead? I can't help but feel like Thom had too much say in the decision-making process of this album. It may or may not be true but all I want is some of that artistic GENIUS that is Thom+Jonny+Ed+Colin+Phil.
ReplyDeleteAnd it sounds tired to me which I understand. They've been going strong for so long. It makes me sad to think they're getting old when I only discovered them 3 or 4 years ago.