Top 10 Music Blogs Of 2011

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There are over two hundred music blogs, tumblrs, and websites on my google reader that I read everyday.  I've been an avid music blog reader years before starting WLFY and will always be a fan of great writing and tastemakers intent on sharing/educating music hungry readers like myself.  What follows is not a list of the ten best music blogs/websites of all time, rather the ten sites that went above and beyond in 2011.  Click on the blog image to jump to the site.

10

Stadiums and Shrines offers a unique experience for their readers as the site reads like a contemporary art lesson fueled by its relationship to sound.  A strong aesthetic and command over a consistent sound the site likes to share, Stadiums and Shrines is a music blog destination unlike anywhere else on the Internet.  


9

Knox Road has been a favorite of mine for a few years now and with the addition of their essay series "Hype Hype Hooray" the site has moved past the standard post a few tracks and into shaping the conversation surrounding music.  Their taste matches my own and often digs deep into the Internet crates to find/support independent artists.  One glance at the site and the amount of text vs mp3 links is a sign of the time Knox Road puts in for their readers.

8

Bears Eat Beats has become a daily destination with their monthly mixes and combination of love for indie and hip-hop.  Like Knox Road, the presented tracks are accompanied by well written pieces that add a depth of appreciation to each new listen.  I could easily see Bear Eat Beats moving up this list as the years progress. 

7

I wrongly shrugged off Yvynyl early in their blog career because their aesthetic and music choices seemed to be one note.  After months of reading I was proven extremely wrong as Yvynyl branched out and became a trusted source of new music from all genres.  While their aesthetic as a tumblr blog might come across as a single vision, I've come to find that Yvynyl has one rule: if it's good, it goes up on the site.  They've introduced me to a great song/album after another and because of their consistency as a tastemaker, they grab this spot.

6

Someone should hold a blog congress session to accuse Slowcoustic of a folk/softer music monopoly.  Luckily for contemporary folk fans, the creators of Slowcoustic do their job extremely well.  If you love the music of singer/songwriters and feel like they've gotten a raw deal in the last few years from the bigger sites, anger not, Slowcoustic doesn't let any worth while singer songwriter slip from their radar.  The biggest complement I can give this site is that unlike a lot of indie focused music blogs, if Slowcoustic disappeared, a huge hole would need to be filled...and it would take more than one blog to fill it.

5

I like maybe %50 of the music Kenny Bloggins writes about on The Decibel Tolls, but I can't deny he's one of the best and most interesting music writers going today.  Enter his site and read any article, track review, think piece and prepare to be assaulted by brutal honesty, a masterful hand at the written word, and a voice that makes him more of an artist then simply a blogger.  

4

Referred to as "The Internet's Busiest Music Nerd" for a good reason, the guy lives for his website.  In a given week his readers get 4-5 full album review videos in addition to a fully operational blog that posts news, videos, and tracks.  Come on.  Anybody with tons of time of their hands can put out an impressive amount of content.  What makes The Needle Drop a special music resource is that every review has been well thought out and often offers a different perspective than the standard five paragraph reviews offer all over the web.  The reviews are playful, passionate, and (enter another positive p word here).  Progressive?  Anyway, The Needle Drop is a no brainer to make this list.

3

I've been reading Everybody Taste for a while now, but the site really surprised me in 2011 and became one of my most trusted daily music blogs.  Like a great friend, this is a site to be trusted.  Amazing taste in music is elevated by their hard work ethic to supply each post with writing that not only informs but gives wonderful descriptors that excites the reader before click play on the supplied tracks.    Everybody Taste had a great 2011 and made my musical year much better because of their work.

2

What Tympanogram did in 2011 should be a lesson to everyone thinking of starting a music blog.  They focused on posting tracks and writing...writing a lot.  A track rarely goes up on the site without an accompanying piece of writing that constantly makes me want to be a better writer when I'm staring a track to be posted on WLFY.  The content is daily and mostly focuses on names you've never heard before visiting the site.  I've been obsessed with finding new music through Tympanogram all year and in 2011 they went from being a new music blog to one of the best music sites out there.

1

Aquarium Drunkard is the best music site on the Internet.  It's that simple.  Like most of the blogs on this list, they have strong writing and a great ear for music.  What sets Aquarium Drunkard apart from every other site is their dedication to informing their readers about older music and connecting it to what they're enjoying currently in such a fluid way that nothing ever seems out of place regardless of the decade.  While they're one of the larger music sites, Aquarium Drunkard never plays the hit game or bows at the sight of a buzz band.  They ignore trends and do so without sacrificing their large readership, an accomplishment that only they can claim.  Authenticity as a conversation piece concerning music is thrown around a lot, but AUTHENTIC is the best word to describe Aquarium Drunkard.


Track of the Day: Sharon Van Etten - "Serpents"

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I received notice of a death today. All told it was a day of jubilation where toil ended in mourning. And in sadness and the slow grind toward that eventual end that you feel, because you feel that every death is a reminder of your own, that everyone's connection is in a morbid shared fate we are reminded time after time of fighting against it all, against the serpents, of the hatred that we share of our small time and the hatred when its taken from us.


Preorder Tramps here.

Sharon Van Etten’s new album (Tramp, out Feb. 7, 2012 on Jagjaguwar) showcases an artist in full control of her powers, and “Serpents” blares Tramp’s articulated vision. With venomous strength, Sharon’s singing and lyrics attack self-doubt and insecurity, when one feels the initial pangs of a relationship turning away from beauty towards rot. She’s backed by a supporting cast of The National’s Aaron Dessner (slide guitar, bass) and Bryce Dessner (ebo guitar), The Walkmen’s Matt Barrick (drums), Doveman’s Thomas Bartlett (keys), and Wye Oak’s Jenn Wasner (vocals). “Serpents” offers only an inkling of the glorious Tramp, an album nuanced in a language of powerful rock, minimal beauty, and pious strength.


SHARON VAN ETTEN TOUR DATES
Tue. Dec. 13 -- New York, NY @ Beacon Theatre w/ The National
Fri. Feb. 10 -- Philadelphia, PA @ Johnny Brenda's w/ Shearwater
Sat. Feb. 11 -- Washington, DC @ Black Cat w/ Shearwater
Sun. Feb. 12 -- Carrboro, NC @ Cat's Cradle w/ Shearwater
Tue. Feb. 14 -- Columbus, OH @ Wexner Center w/ Shearwater
Thu. Feb. 16 -- Chicago, IL @ Lincoln Hall w/ Shearwater
Fri. Feb. 17 -- Chicago, IL @ Lincoln Hall w/ Shearwater
Sat. Feb. 18 -- Minneapolis, MN @ Cedar Cultural Center w/ Shearwater
Tue. Feb. 21 -- Toronto, ON @ Lee's Palace w/ Shearwater
Wed. Feb. 22 -- Montreal, QC @ Il Motore w/ Shearwater
Thu. Feb. 23 -- Boston, MA @ Paradise w/ Shearwater
Fri. Feb. 24 - Brooklyn, NY @ Music Hall of Williamsburg w/ Shearwater
Sat. Feb. 25 -- New York, NY @ Bowery Ballroom w/ Shearwater
Thu. March 1 – London, UK @ Cargo
Fri. March 2 – Paris, France @ Point FMR
Sat. March 3 – Brussels, Belgium @ Botanique – Rotonde
Sun. March 4 – Amsterdam, Netherlands @ Paradiso
Tue. March 6 – Berlin, Germany @ Gruener Salon
Tue. March 20 -- Los Angeles, CA @ The Avalon w/ The War On Drugs
Wed. March 21 -- San Francisco, CA @ The Independent w/ The War On Drugs
Fri. March 23 -- Portland, OR @ Aladdin Theater w/ The War On Drugs
Sat. March 24 -- Vancouver, BC @ Biltmore Cabaret w/ The War On Drugs
Sun. March 25 -- Seattle, WA @ The Neptune 
Tue. March 27 -- Salt Lake City, UT @ The State Room w/ The War On Drugs
Mon. March 28 -- Denver, CO @ Bluebird Theater w/ The War On Drugs
Sat, March 31 -- St. Louis, MO @ Luminary Center for the Arts w/ The War On Drugs
Sun. April 1 -- Bloomington, IN @ Rhino's w/ The War On Drugs

The Hidden Words - "Belleza"

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We've written about The Hidden Words several times in anticipation of their debut LP set for release on December 3rd.  Over the weekend they premiered the track "Belleza" a smooth song that drives forward with marching percussion and a bright, yet slightly aggressive acoustic guitar. The Hidden Words are a Montreal band helmed by Alden Penner (The Unicorns and Clues) and from what I've heard the vocals move in and out from French to Spanish.  The music feels very organic and perfectly out of place in the world of current indie music. "Belleza" is refreshing and shimmers from start to finish.

New Wild Flag Track "Nothing" (Live Video)

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When the ghost of Kim Gordon (who is not dead) woke Mary Timony of Wild Flag up the other night, Timony threw down the law and said what you got, Kim? And Kim said, in her helplessly aggressive breathy voice, "Nothing" Then, this song was born.

Fleet Foxes - "The Shine/An Argument" (Music Video)

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Maybe it's only without the cable TV networks blasting music videos all the time (apologies MTV Tres) that we're actually getting to interesting music videos at least videos that transcend their trajectory as visual accompaniment to songs and become something in and of themselves, something that we may not even have to have the song to enjoy, to be transfixed, to be taken out of ourselves.

Leonard Cohen - "Show Me The Place"

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It's here.  Since Leonard Cohen's last studio LP, Dear Heather, he has kept fans busy with three live records and an extensive world tour that was labeled his last set of live shows.  Now we will get what many are calling Cohen's last album.  "Show Me The Place" is the first new single since 2004 and will definitely be on repeat here until the album comes out at the end of January 2012.  Enjoy the man with the golden voice and his return:


Show Me The Place by leonardcohen

The rumors are true, friends: Old Ideas, Leonard Cohen's first album of new material in eight years, will be released January 31st, 2012. Old Ideas will be Leonard's twelfth studio album with Columbia Records since signing with the label in 1967. Consisting of ten new songs, Old Ideas poetically addresses some of the most profound questions of human existence -- spirituality, love, sexuality, loss and death.
Fans were given a hint of what to expect when Cohen made remarks as the recipient of the Principe de Asturias Prize for literature in Spain in October:
"As I grew older, I understood that instructions came with this voice. And the instructions were these... Never to lament casually. And if one is to express the great inevitable defeat that awaits us all, it must be done within the strict confines of dignity and beauty.
Old Ideas will be released on CD, digital download, and 180 gram LP. Fans also have the opportunity a purchase a collector's bundle featuring the album and a limited edition lithograph of Leonard's artwork. Lithographs are digitally signed and numbered and limited to 5500 copies. All pre-orders will also come with an instant download of "Show Me The Place." 

New Of Montreal Track - "Wintered Debts"

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I swore I would never write about Of Montreal again as they went from one of my favorite bands in 1999 to one of my least favorites with the release of False Priest.  My attachment just runs too deep to ignore a band that I have spent years obsessively following with each release.  Consequence Of Sound just posted about a new Of Montreal track and against my own declaration to give up on the band, I clicked the link.  

I'm blown away.  "Wintered Debts" is an echo of Of Montreal's early sound, specifically the playfulness heard in the melodies on Coquelicot Asleep In The Poppies.  Gone is the funk and focus on Kevin Barnes being front and center.  The magic of Of Montreal at their best is back on "Wintered Debts": harmonies, orchestra level compositions, Barnes being emotional rather than glamorous, and a song that feels like art...not a sexually driven rave.  If their 2012 album, Paralytic Stalks continues what is presented on "Wintered Debts" consider my love for Of Montreal restored.  


UPDATE: "Wintered Debts" will appear on Paralytic Stalks, but not as the lead single.


Wintered Debts by of Montreal

Track of the Day: The Minders - "Hand Me Downs"

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Wednesday night, I was treated to a reading by author Joshua Harmon from this upcoming book of essays entitled The Annotated Mixtape where Harmon broke down Def Leppard videos, analyzed his own biography against music, and admits to his record collecting's impact on his life and floorspace. A highlight from the reading was this amazing track by Denver's The Minders, an band who're affiliated with Elephant 6. And tho we're not in the habit of putting YouTube vids of songs up, this one is well worth it.

Wilco - "The Art of Almost" (Live Video)

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About the only think more exciting this year than Wilco's "Art of Almost" is Pedro Almodovar's new film. And about the only thing better than listening to "Art of Almost" is this mesmerizing stop action video taken from their show at Ryman and shot by Richie Wireman.

RIP Sonic Youth?

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This might be premature, but hey we're a blog not an actual news outlet. Sonic Youth played their last scheduled show last night in Brazil, which is a country that seems to be getting all the love as Broken Social Scene played their last possible show there recently as well. With Thurston and Kim's separation, Lee's solo career, and the demise of Gilmore Girls, will the group ever play again?

I remember quite a few years ago at Memphis in May when I was geeked up to see DMB that Sonic Youth was playing at like 4 o'clock on a tiny stage. This was pre Murray Street, an album that would see them reemerge as the experimental pioneers they had always been, but back then, it seemed that the zeitgeist had forgotten them and they ended up in the sweltering Memphis heat with about 20 skate kids while all the stoners were at Blues Traveller. Our listening can be capricious. And it's important that we remember when bands are not.



Track Of The Day: Bro Stephen - "Patron Of The Arts"

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Back in June we ran a piece on Bro Stephen where we pointed out his unique talent as a singer/songwriter who could visualize the many landscapes of America through sound, something Bro Stephen knows well as a constant traveler on his many nationwide tours. His music seems to sprout up from the earth and have this natural power that is the cornerstone of great folk music.   

Bro Stephen is set to release his new full length LP in 2012 and is giving us a preview in the form of a three track 7" vinyl.  The title track "Patrons Of The Arts" is a perfect intro to Bro Stephen's sincere vocals and floating melodies.  

You can pick up a copy of recommended 7" HERE.  It's limited to 300 copies, has two B-side tracks that will not be on the new album, and features five different back photos Bro Stephen's father took in the 80's.  This is the type of 7" that we love to support here at WLFY and look forward to following Bro Stephen's career which seems to be just now hitting full stride.




WLFY SOUNDCAST #015 - 14 Rules For Bloggers

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I talk with David from Rawkblog about his new list of fourteen tips/rules for bloggers to run a more efficient/focused music blog. 





Bomba Estéreo - "La Cumbia Sicodelica" (Music Video)

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I can't think of an electronic group working right now that's better than Bomba Estereo. The damn shame is that they're from Colombia, so if you're here in the States, you don't give a shit because you're force fed crap world music from Puto Mayo and Starbucks without realizing the true genius that is out there. And, yeah, I've been on my soapbox about this before, but it bears repeating. So, I repeat: NO ONE IS KILLING IT AS GOOD AS THIS BAND. NO ONE. NOT DAN DEACON. NOT JAMES MURPHY. NO ONE. YES, LET'S FIGHT ABOUT IT.

Their latest track, aptly titled "La Cumbia Sicodelica" (AKA Psychedelic Cumbia) is as much literal as it is an onslaught of the what the band has been doing since their inception: reinventing music for the better.

MUST WATCH: Scott Walker: 30 Century Man

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My choice procrastination of the day has been the excellent documentary Scott Walker: 30 Century Man -- an uncanny look into the genius and enigma of Scott Walker. After posting earlier about Lady Gaga as a type of Chinese performance of American stereotypes with the sort of hilarious results that cultural encounters inevitably create, it's been all too much reinforced by the way that culture seems to cycle through itself like some sort of complex machine of moibus strips recycling and recreating itself which is brilliantly explored through this fascinating documentary.

Watch it on Netflix here.

Some Sort of Chinese Old Folks Home Sing "Bad Romance"

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You'll have to pardon us as we take a small break from dutifully giving quirky but hopefully insightful commentary and shares relating to the world of music with this utterly baffling video of what appears to be a folksy, knee-slap of a video from Chinese television with a bunch of old folks hitting on young women in dresses and using it as an excuse to sing Lady Gaga's "Bad Romance." The threadbare relationship to music is that we have to remind ourselves sometimes that this is how the rest of the world gets to know the USA, through cultural exports which is usually determined by what is mainstream and thus sellable. Or you can just file it under: The Future is Going to Suck.

Tom Waits - "Satisfied" (Music Video)

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Did you know that PT Barnum's first museums were dedicated to religious curiosities and then he moved on to the freak show and then the carnival. He saw them all as history, I imagine and plopped them all down together and said -- you tell me what's different. IN BIG LETTERS.

Track of the Day: Carter Tanton - "Murderous Joy"

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I was one of the five people who were into Tulsa mostly because I thought they were from Tulsa (where I went to school) not named after Larry Clark's book Tulsa. Lead singer Carter Tanton's been popping up on my Marissa Nadler obsession so it's about time that he released some of his own work, which NPR has our first taste with the deliciously full "Murderous Joy" whose title sums up all the joy and pain in this song.

Listen over here.

New Hip Hatchet Song (Live Video)

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We've been waiting impatiently for any news or new tracks from WLFY's favorite new artists of 2010, Hip Hatchet.  What we know is that Phillippe Bronchtein (Hip Hatchet) has relocated from the east coast to Portland, signed to Graviton Records (The Tallest Man On Earth's label), and is working on a new album to follow up the powerful Men Who Share My Name.  Last week, Hip Hatchet played a few East Coast shows including the wonderful Rockwood Music Hall in New York City.  Thankfully, someone in the crowd captured a brand new song, "Just Like An Old Friend".  Just like all of Hip Hatchet's work, this new song is packed with emotion and marks Bronchtein as one of the best singer/songwriter talents to follow.  

Real Estate - "It's Real" (Music Video)

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Dear Nostalgia,

What do we do with you? To deny you're there would be false, but to be relying on you all the time like some perverse relationship where you keep going back to someone that hurts you just to feel the pain all over again just seems harmful. I guess we'll try to stick out some sort of middle ground.

See you at X-mas

Fondly,

Real Estate

My Record Store Is Gone

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While there is no comparison between death and the closing of a record store, when the closing of Louisville’s record store Ear X-Tacy was announced last week, I handled the news like a loss of life.  At first there was extreme sadness, followed by anger, then an inability to acknowledge Ear X-Tacy’s closing, and now acceptance.  Typically, when anything music related hits a nerve, I rush to my laptop and rant out a post expressing my feelings.  With this news, though, it only just now crossed my mind to write a post, because writing a post meant dealing with the fact that my record store is gone.

Ear X-Tacy opened in Louisville in 1985, a year after I was born.  I grew up in Danville, Kentucky, a forty-five minute drive from Louisville.  All Danville had was a Wal-Mart and a “CD store” – really just a place to buy top forty junk and bargain-bin greatest hits collections.  But then in 1997, at age thirteen, I stepped foot in Ear X-Tacy for the very first time.  I had no idea at the time what the place – and, of course, the music inside of it – would eventually mean to me. 

Initially, the space itself was overwhelming.  Save for the classics and the acts I recognized from the radio, I had no idea who any of these bands or artists that graced the thousands of CD and vinyl covers were.  The internet wasn’t nearly what it is now, and my only exposure to new music outside of MTV, radio, and Wal-Mart new arrivals was my older brother letting me listen to his copies of Nirvana, 2Pac, and The Presidents of the United States Of America.  This new universe of music was, in a word, overwhelming.  I was lost on my first day there at Ear X-Tacy, and decided to try approaching the music the same way I approached books – by letting myself be drawn in by the cover art and the kind of imaginary soul that would always seem to radiate from the spines as I would search for my next selection.

I slowly walked up and down the aisles of music until my eyes locked on this purple-framed, sad-looking man holding an acoustic guitar.  The brightness of the purple and crisp orange font juxtaposed a portrait of a musician in near darkness.  I took a chance and spent some my birthday money on the CD.  The album was Bryter Layter by Nick Drake, who to this day is my favorite artist of all time.  I’m a cynical person, but when I think about that first record I bought, and how random choice lead me to find the masterful songwriting of Nick Drake, I can’t help but feel lucky that Ear X-Tacy existed in that moment to shape the rest of my musical taste and life. But at the same time, I can’t help but feel extremely sad that this experience of pure discovery might ultimately be lost on future generations.  You see, music is not just the soundtrack to our lives; it also has the power to change and define them.  Ear X-Tacy and all small-box record stores are path creators, allowing you to pick and choose, and for many, shape the years to follow in profound and unimaginable ways.

Nick Drake - Bryter Layter

Years before this, my parents divorced, and my Mom eventually moved to Louisville, which became my second home.  Splitting time between Danville and Louisville where I really didn’t know anyone or the city itself, Ear X-Tacy became my place of familiarity.  Over the years, probably my most important years of cultural growth, Ear X-Tacy began to mold me into a teenager obsessed with music.  Taking recommendations from the staff or hearing songs played over their speakers, the store taught me about Pavement, Elliott Smith, Television, The Magnetic Fields, Radiohead, The Flaming Lips, and hundreds more. 

I soon went to college, graduate school, then off to Los Angeles to make it as a screenwriter.  My trips to Ear X-Tacy dwindled, limited only to the rare visits during Christmas break or while visiting family.  Over this time, I became obsessed with vinyl and frequented various record stores in Santa Barbara, Chicago, and Los Angeles.  2009 was a very dark year in my life, as writing work slowed and the cost of living in Los Angeles caught up to me.  I decided to move back to Louisville and move in with my brother who worked as a lawyer.  Feeling like a failure and not quite knowing what the future held, 2009-2010 ended up being one the best years of my life because of music.  I dove into posting as much as possible on WLFY, and gave my brother the vinyl-collecting bug.  At the time, I couldn’t appreciate the hand dealt to me, but having a year with my brother Nick, whom I hadn’t seen for more than a full week at a time since 2000, was priceless.  Our mutual love for wax became a bond that strengthened our brotherhood.  We would go record shopping on a weekly, sometimes daily basis. We went on multiple impromptu road trips to noteworthy, out-of-state record stores. And the night before Record Store Day 2010, we were camped out at Ear X-Tacy.  Nick and I were the last two people to purchase items at Ear X-Tacy before they moved from their Bardstown Road location, and gave them their first two purchases at their new Douglass Loop location. 

Stickers from our record store visits (2009-2010)

It was during this time when Nick and I met Sean Bailey, an employee at Ear X-Tacy.  The guy always met customers with a smile, genuinely cared about everyone, and was living proof that record stores could offer something that the internet couldn’t: a sense of community for music lovers.  Sean helped throw hundreds of concerts at the store, including My Morning Jacket, Foo Fighters, Tenacious D, and Queens of the Stone Age. Beyond the big names, Ear X-Tacy acted as the go-to venue for up and coming local bands not only to play, but to sell their music.  Ear X-Tacy wasn’t just part of Louisville, it was Louisville.  For some, it may be bourbon, horse racing, or baseball bats… but for more than a few, the heart of one of the best cities in America was a record store.

Sean Bailey (Ear X-Tacy Employee)

Where to go from here?  I’ve since moved to Los Angeles, and unfortunately was there when the news of the closing broke, and missed out on the store’s final days.  I would give up a lot to be able to walk into Ear X-Tacy one more time, buy an Ale 8-One, and walk out with a bear hug full of records.  I can’t, and it hurts.  Here in Los Angeles, a small record store called Origami Vinyl has become my wax home away from home.  With a friendly and knowledgeable staff and its own unique spin on the sense of community that Ear X-Tacy provided, new memories and adventures of musical discovery are being formed.  One day, I hope to look back on Origami like I look back on Ear X-Tacy.  In that thought exists my reason for writing this.  My experiences with a non-living thing, a store, made me the person I am today, and now it’s gone.  But there are still record stores out there, and they need your support.  Go out and embrace them.  I can’t promise it will mean as much to you as Ear X-Tacy did to me, but I can promise you that you’ll never look back fondly on Amazon or a torrent website and think, “Man, that really shaped my life.” 

Tonight, I pulled out my five greatest used vinyl finds from Ear X-Tacy, and after posting this, plan to spin them as a tribute.  My record store may be gone, but that store, their employees, my memories, my amazing year with my brother, everything Ear X-Tacy stood for will be alive again in the warm grooves of every record I ever bought there.  

Fruit tree, fruit tree
Open your eyes to another year.
They'll all know
That you were here when you're gone.
-Nick Drake

Flashback Friday (Elmer Gantry's Velvet Opera)

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WLFY Soundcast #014 - "Why Do I Still Download?"

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Episode #014 - "Why Do I Still Download" (Guest: Roommate Ryan)



Track Of The Day: Ovlov - "I Got Well"

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The weekend before CMJ, I found myself at a loft party in Brooklyn to see WLFY favorites Radical Dads.  The band before Radical Dads were Connecticut's Ovlov and I was won over by their 90's sound, mixing parts of good Smashing Pumpkins and The Pixies.  The live show was in your face and one hell of a great time.  The recorded material features relentless guitars and vocals in complete command.  With 90's nostalgia becoming a big trend this year with Yuck and the new Pains Of Being Pure At Heart album, I actually lean in favor of bands like Radical Dads and Ovlov who seem to be taking a crunchier/less polished take on the decade.  It's somehow rough and controlled at the same time and immediately takes me back to the 90's without ever feeling rehashed or stale.  I recommend checking out my favorite Ovlov track, "I Got Well" and then clicking on the Bandcamp link below to hear the entire EP.
  


REVIEW: Tom Waits - "Bad As Me"

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Tom Waits - Bad as Me
Record Label: Anti-
Release Date:

If you ask me, and you must care something about what I say as you've made it as far as to click on this, there's more need for Tom Waits now more than ever. The obnoxious trend toward digitally enhanced voices (see autotune) belies a simple and difficult fact -- there are no interesting voices in music these days. Cher's use of whatever effect that was on "Do You Believe in Love" a few years ago was in effect a negation of her own power as much as it was a surrender to technology. And there are only a few, Kanye jumps immediately to mind, who manage to use the digital enhancement toward interesting musicality rather than just covering up the truth -- they can't sing. Or they can sing, but the computer can sing better. Could it be that the whole obsession with X-Factor, American Idol, Glee, etc. is us trying to remind ourselves that we can sing only to have those same voices come out on record sounding mildly robotic? It's sad that you can sit down and count on one or two hands the amount of truly original voices in music these days -- Cohen, Waits, Case, Holland, Yim Yames... Shouldn't our ears and by extension our lives be filled with these people?

Certainly in Waits's case we haven't been too long without the growling songster. Live album Glitter and Doom (which reinterpreted many of Waits's songbook) was out 2009. And Orphans, Bastards, & Bawlers, a series of odds and ends which were hit & miss but intriguing if only as a source book for the Waits that Waits lets us see made 2006 more enjoyable. But, the last proper record was Real Gone all the way back in 2004. So if you could say that Waits is capable of returning to form, which is an altogether ridiculous statement but one that gets used all the time in reviews like this (about an artist whose been at it for decades) you could say that Bad as Me is it. Certainly you can hear traces of Waits's previous efforts on this record. "Raised Right Men" with its laments about masculinity under a snarling organ brings to mind "Goin Out West" from Bone Machine. Just as "Kiss Me" where Waits moves to a croon under a tinkling piano disrupted (as he always so brilliantly does) with the hiss and scratch of an old recording evokes the somber lurching of "Black Market Baby," with that song's lyric "there's amnesia in her kiss" seeming to propel its predecessor's title.

But, what seems new with this record is now produced it sounds. Now, don't get me wrong, this is a Tom Waits record so there's still a lot of pulp in with the orange juice, but as opener "Chicago" drives home, this is a record that has been really well thought and well wrought in production as well as song structure. "Talking at the Same Time" has a sort of melodic innocence that harkens back all the way into his career. And while those early albums are personal laments, in this track as well as Bad as Me, Waits takes up the mantle of the contemporary curmudgeon. It's a sort of reprise to his continual role as an outsider in the world. First the short order cook, the Fleurs du Mal of the burlesque show, the primal scream of a forgotten era, the bluesman recreating the blues from trash, now Waits's role is perhaps the most uncomfortable of his career -- the established artist. The old man. It makes "Talking at the Same Time" feel as much like a sad ode to the world of hyper-communication as a push toward the oblivion.

It may seem at first like an awkward persona, but Waits fills it nicely. He's been obsessed with performance since the Big Time Tour and each album seems to be the autobiography for a new Tom (or sometimes Frank) -- digging up and recasting similar themes, he seems to never run out of material, mostly because of how clearly he can look at one thing the same way as the sly Spanish sound of "Back In the Crowd" seems to re-render the romantic ballad of love and loss. A critic once said of Beethoven that he was a renewable resource. In many ways, it seems that Waits sees the world the same -- endlessly able to draw from it. But, more than anything else on this album you begin to see him pull away from this world in ways that we haven't seen before. "Back in the Crowd" is a surrender to oblivion and anonymity. And even the titular track isn't about being cooler than everyone else (see the irony of "Big in Japan") but about living up to expectations rendered in those fantastic Waitsian paradoxes. Who is the Tom Waits on this album? An outsider, unwilling to go down, ready to dose out medicine the world that may kill us or make us well.

It's with the utmost ease that Waits is able to assume this role. He's been a rebel his whole life. And with tunes like "Get Lost" -- which assumes a blissfully retro rock 'n roll bounce -- he makes the case for the old being new again. After all, who else do we have that can live up to Waits? What do we do when all our rebels are old men? Well, if Bad as Me is any example, they see clearer and further than the rest of us do.

Glen Campbell - "Ghost On A Canvas" (Music Video)

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Hank and I fight every week about who loves the new Glen Campbell record more.  While the fight won't be settled for a while, today we have the official video for his title track "Ghost On A Canvas" written by Paul Westerberg, yeah Replacements, Paul Westerberg.  This video had me at vinyl in the opening frames.  Enjoy:

WLFY Record Club

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Hank and I have been running WLFY for four years now and we're still trying to figure out the best way to help the artists who create music we fall in love with.  We've come up with a way to marry our love for music, vinyl, and supporting bands that need the help.  Starting this month, we're happy to announce WLFY's Record Club.  Every month Hank and I will select one piece of vinyl that everyone in the club will purchase.  The club will only be open to 100 people and while a member we require purchasing the selected vinyl every month.  

The goal of this club is to form a supportive team of vinyl shoppers who can have an immediate effect on a band or small record label.  With limited pressings usually running anywhere between 100-500, our club will have a strong impact.  We're asking that only serious vinyl fans join as this club will only work if each member is dedicated to upholding our goal.  It will take awhile to get a strong 100 club members, but we have to start somewhere.  The selection of vinyl will all come from bands/independent labels themselves online and will range from 7" to 12".  We will never select a record that exceeds $20 and some months it will be a $10 or less 7", so at the very most your obligation will be $240 over the entire year, with twelve pieces of vinyl to show for it.

We'll be running this club over e-mail.  If you would like to join our vinyl club (please do!), e-mail welistenforyoublog@gmail.com (use WLFY Record Club Add in the subject line) and we'll add you to the club.  I'm very excited about the possibilities of this concept and I hope it excites some of you as well.

UPDATE: 84 members have signed up.  There are spots available.  

Track Of The Day: ARMS - "Heat & Hot Water"

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I'm not going to talk your ear off describing the subtle sounds of "Heat & Hot Water" from Brooklyn's ARMS.  Here is what I'll say:  Get excited for the release of Summer Skills, real excited.  Why?  Why?  You should be excited because I've played Summer Skills over and over for the last month and it's one of the best albums of 2011.  More on that in a proper review later.  For now, enjoy one of the best tracks off Summer Skills and be on the look out for this release.


Born Gold - "Lawn Knives" (Music Video)

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One of our favorite tracks of 2010, "Lawn Knives" from Born Gold (previously Gobble Gobble) finally gets an official music video.  Little kids, jump cuts, and religion acts as the narrative to this manic, yet catchy song.

Field Music - "(I Keep Thinking About) A New Thing"

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Field Music is back with their fourth album, Plumb, and judging off their first released track, "(I Keep Thinking About) A New Thing", the bass will be heavy throughout, the vocals bitting, and synths wandering about.  The band says about Plumb

"It largely abandons the 'classic' songwriting conventions embraced on their 2010 double album Measure and instead remodels the modular, fragmented style of the first two Field Music albums; only now shot through with the surreal abstractions of 20th century film music from Bernstein to Willy Wonka and with the off-beam funk and pristine synth-rock developed on the brothers' School of Language and The Week That Was albums."

Field Music - (I Keep Thinking About) A New Thing by memphisindustries

Plumb is out Feb 14th, 2012 on Memphis Industries

Track Listing
Start The Day Right
It's Okay To Change
Sorry Again, Mate
A New Town
Choosing Sides
A Prelude To Pilgrim Street
Guillotine
Who'll Pay The Bills?
So Long Then
Is This The Picture?
From Hide And Seek To Heartache
How Many More Times?
Ce Soir
Just Like Everyone Else
(I Keep Thinking About) A New Thing